Performative Architectural Skins: Towards a Performance-Oriented Theory

Abstract

The concepts of "performance" and "performative" are gaining significant attention in spatial design discourse. "Performative" is often linked with qualities such as open-form flexibility and scenic or theatrical attributes. It highlights the interaction between intentional and accidental elements, as well as the dynamic nature of environments. Some literature characterizes performative spatial design as the ability to execute multiple functions either simultaneously or individually, while others interpret it as a means of conveying content. Most discussions focus on three-dimensional spaces or architectural scales. This essay delves into the theories behind the term "performative" and its application in analyzing and describing the two-dimensional aspects of urban spaces, interiors, and architecture. It explores the semantic range and applications of "performative" and "performance" beyond simple analogies to the performing arts, aiming to articulate innovative and complex qualities of architectural skins and interior surfaces, including their capacity to communicate, narrate content, convey knowledge, and embed cultural references.